电影 · 2022 · 其它 · 爱情片,剧情,喜剧,爱情 

　　Marie Richardson leads the star ensemble in a heart-warming homage to all mothers, reminding us that it’s never too late for a fresh start in life.　　All the old friends are invited to Karin (Richardson) and Sten’s (Björn Kjellman) celebration of their 40th wedding anniversary. But after a dirty text message and some failed acrobatic stunts on the balcony, the idyll has both cracked and ended up in the emergency room. Karin is forced to straighten out her back and realizes that she has spent her life taking care of her family without getting as much as a thank you. Together with her friends from the swimming pool, she finds new vitality at a weekly cooking class, where Peter Stormare’s star chef opens up for exciting new taste sensations. Tuesday Club is a well-acted and inspiring paean to struggling women, mature passion, and Asian cuisine.…

电影 · 1992 · 其它 · 剧情片,历史 

　　戏中，萨德本人从未露面，只存在于六名登场人物的对话中。人物的性格也很分明，西缅男爵夫人代表“美德”、而圣芳伯爵夫人代表“恶行”，门托纽夫人则代表了世俗。尽管两位代表善恶的人物更富有戏剧性，然而全剧的中心仍是主人公露涅和门托纽夫人的对立。　　以剧中人对萨德的态度为例：门托纽夫人认为声名狼藉、锒铛入狱的萨德根本就是家庭的耻辱，而萨德的妻子露涅则截然不同，她真诚地等待着被社会排斥的丈夫，并认为这才是表达真爱的惟一方式。但是，当革命风起云涌，社会价值观也随之改变。萨德出狱并被捧为新时代的旗手，门托纽夫人的态度来了个一百八十度大转弯，她成了萨德的捧哏，称萨德为法国的献身者。　　而露涅的态度却截然相反。丈夫重新被社会承认，意味着她那孤独的爱就此丧失了根基。不仅如此，她读了萨德在狱中写的小说，里面描写了一位坚持美德的女子的悲剧，露涅在作品中看到了自己的影子。她的孤独之爱从根底瓦解了，同时也意识到之前的半生不过是徒劳，于是她投身修道院，再也不与萨德相会。剧中露涅曾说：“与其付诸行动，不如创制法则……”　　这句话也可以理解为“与其委身现实，不如付诸思想”。对原剧作者三岛先生来说，“艺术”无疑是存在于现实之外的、对于异端思想之美的例证。…